Two years ago I began posting poems here from the book cycle, Blackwater Quartet. The individual series titles, Constructing the Human, Theories of Fugue, Tsunami Muses, and Adventures in the Gothic, together with the single-volume edition (2005) had been out-of-print for several years, though the dedicated reader might stray across a copy in the corner of a bookshop on Charing Cross Road or on a 'rare and out-of-print' internet book site.
The poems were posted in a random sequence. Occasionally, I posted a comment but these were not necessarily to do with the poems. With Selection 117, "Four Last Songs," the series postings are complete (I should add that the "Prologue" to the combined volume appears on its own page elsewhere on this blog.).
To mark the completion, I'm posting a link to the pdf of the complete publisher file, as the poems appeared at the time of publication, although as can be seen on the book's Acknowledgements page many poems had been published individually in their own right in various journals and reviews.
Another book cycle, Relic Environments Trilogy, was published by individual title and in a compilation volume by Cinnamon Press, in Wales (2005-2011). I hope in the future to republish these poems here in the same manner as Blackwater Quartet.
I want to thank everyone, in the United Kingdom, the United States, Germany, India, Belgium, China, and elsewhere, who have retained an interest in Blackwater Quartet.
Thursday, 19 May 2016
Wednesday, 18 May 2016
from Blackwater Quartet, selection 117
Four Last
Songs
Leopards break into the temple and
drink to the dregs what is in the
sacrificial pitchers; this is repeated
over and over again; finally it can
be calculated in advance, and it
becomes part of the ceremony.
— Kafka, Parables and
Paradoxes
1. How We Heard The News
The revelation Adam taught his son,
Seth, in the seven hundredth year,
saying
large and small passions, signs in
the heavens, smart cards,
make sure you are ready.
Of the Mahuzzims, honoured by the
King
who doth according to his will,
New! Coming Day of the LORD and the
7th Trumpet
gathering of the elect, after the
Tribulation,
Christ.
Dürer’s woodcuts, engravings of
Horsemen another fine
Apocalypse.
One in five Japanese believe at least
somewhat in Nostradamus’s prediction,
everyone
to receive a mark, no one to buy or
sell unless he had
the name of the beast, the number of
his name.
It is man’s number.
After years of study, we at the
Ministry are convinced.
The end of this world, the rapture
unveiling.
2. Devil
Shake off the Devil, tell the Devil
today he is a liar, he will not take
your joy,
your peace, or disturb your spirit.
He is the one who made the following
comment.
Dear Dr Freud, where shall I stand
and wait, old man voice
in skinny boy body?
The picture of Donald Duck,
the ambivalence, angel Donald on one
shoulder,
devil Donald on the other,
in a manner against his instinct and
his will.
The Devil was walking down the road
when, some distance away, he saw a
man stoop down,
place something in his pocket.
The fight enters a new phase.
The neighbour brought in something
his wife found,
like curving horns. She said, speak
Devil,
that I too may cast spells and work
roots!
Red, twelve feet tall, extra ribs,
blonde hair,
a thirty five feet wing span, I was
just curious,
is it warm where you live?
I live in da desert. Here are my
terms:
everything continues until the end.
3. Mouthpiece
Japanese bamboo end-blown flute,
as the crack spread along the shaft
almost to the mouthpiece,
this time wet cotton string drying,
shrinking.
Every time he says I’m not who I was.
Under the gold and silver plate,
thick nickel, these chemicals
leaching into the mouth,
the body every time, as time goes on.
Often buying another mouthpiece,
we want you to wait another month,
officials told him.
Hullo, Edison screamed into the
telephone
mouthpiece, this time the nursery
rhyme
Mary had a Little Lamb.
Then they moved the needle back.
I looked around once more, then try
keying the button adjacent to my
rebreather
mouthpiece.
Time to go.
4. The End of Time
Time is an illusion.
The mystery was unveiled.
An enigmatic cross in the churchyard
of a small resort
in the Basses-Pyrenees emerged as a
true monument.
You see an old man.
When he notices you, he tips his hat
and smiles softly, says from
Jerusalem
between the end of the world and the
beginning of the world,
repentance unto Salvation by the
Blood of the Lamb.
The pleading, I didn’t think would
ever end,
O again, the same thing
happening again, as it was during
Noah’s time.
By entering you are stating you have
read
the following, understand and agree
to these terms.
Two years after the release of his
patriotic
Till the End of Time
director Edward Dmytryk was called to
testify
before the House Un-American
Activities Committee.
End times repentance call.
Near the end of time He will send
the Angel.
I know how the world is coming
to an end. I write this, not as I was.
Dance with me.
from Blackwater Quartet, selection 116
Partitas of the Soviet
In Moscow, I had met Irina, the
contact of a contact.
She showed up in the hotel lobby,
wearing a magnificent mink coat,
scored abroad.
Her English was charming.
I hadn’t requested that she drive,
but since it was so cold out
she brought her huge American SUV.
We parked down near St. Basil’s.
She works as an interpreter rather
than a tour guide,
as she had to insist to a Kremlin
ticket-taker, he reminding her
unauthorised tour guides were NOT
permitted.
She reminding him of her rights
to speak English wherever she wanted.
After the Mayakovsky, its beautiful
mosaic ceilings,
followed by Revolution Square and
statues
in the Soviet style,
we returned early to the hotel, perhaps
too early.
I’m now typing the thong is like a
subway car;
the bacteria go from rectum to vagina
to the bladder.
She turns over, commenting
I really like the part where you have
me say,
he makes a move to put me in his
mouth.
I have nothing else to add.
After photo-ops at the cannon that
never fired,
and the bell that never rang,
apart from the translation and
clue-giving
it was worth several dollars having
someone available
to snap me in the stations.
*
I had all that trouble with
Immigration.
As you know, I’ve also not been well.
I went to the clinic, did the Herpes
test.
Christ.
They gave me a number, anonymous
patient 99565.
Irina had some potassium sulphate, or
something.
We sat in her car.
She rolls a piece of gauze, dilutes
the chemical,
touches the blisters, and the top of
my head blew off.
I don’t think I’ll go back to the
clinic;
Irina seems to know what to do.
Anyway, I’m better now.
They issued the visa anyway.
*
In Moscow, three months after
the thong incident reduced my poetry
to Dadaist gibberish,
I had actual proof of cat worship.
I had just turned a corner to find
this little bookshop,
thinking I might get a book on
mushrooms,
and what should appear but cat
shrines.
In each shrine a sleeping cat,
perfectly spherical.
The woman behind the counter,
giant eyes behind giant glasses,
obviously the priestess of the
shrines, says
well, yes, Irina is crazy, but she’s
nice to cats.
She decorates lamps
with little overhanging beads and cat
photos.
I agreed this was crazy, but wanted
it to stay this way.
As I photographed the priestess, she
capped the Persian
in a smart boater, red-ribboned, and
sang Irina’s famous
Cat Glorifying Poem # 2.
*
Gypsy children, panhandling,
some singing, playing musical
instruments,
a few selling kittens out of
cardboard boxes.
One woman there, just kneeling over
an icon all day,
bobbing her head up and down over it.
During an exercise on clipping
unstressed vowels in Red Square, I
was asked for my documents.
He said he was in barracks near the
Three Monkeys bar,
if I had any dollars.
Seven metro stops up the blue line,
the massive statue of Lenin on the
main highway.
*
At the Anglo-American school in
Pokrovsky Hills,
I picked up her last e mail, salted
with strings of garlic bulbs,
MIG-25s, John Lennon wire-rims,
closing
I’m still here, somewhere, try
Uzbekistan, kiss kiss.
From Samarkand to Fergana by train,
then through the Pamir mountains, Osh
to Bishkek—
after a few days
I left that city by night bus to
Tashkent.
By then I had her diary, high minded,
old fashioned writing, endeavours
predominantly visual,
but with some structuring,
found and read despite the content
warnings:
Nietzsche, karaoke bar lyrics, PIN
randomly changing,
trashy blonde take
do-I-look-cute-in-this-sari, et cetera,
simplicity hidden
beneath misquotes of Russian poets
pre-glasnost.
Why not, became her main motto.
I had a dream last night, about our
house.
Writing this made me remember I’ve
dreamt about it
often lately, though it doesn’t exist
in this place,
or in this time.
In the same manner the Earth’s
surface
divides oceans and continents,
and we continue as we do, pretending
everything is concluded, that it is
possible
to conclude, everywhere
a static of images escaping, a virus
uploaded,
snatching events, a helix of nine
lives and after,
the way a rain of hailstones breaks
the Moscow heat.
*
Last flight out— we rise and bank.
In the distance, to the east,
precursor mist
shapes the mountain passes, each
granite trail
cut blankly through the cloud.
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