Saturday, 1 October 2016

Relic Environments Trilogy: Book III, Part 2.iii

from Book III, Part 2, Animus

II. The Child-Eaters

i. Red Riding-Hood

The herds are safe in southern pastures.

In these mountains, cold
grips the valleys early. No footprints, except the goatherd’s,
or hieroglyph bird tracks
on grass
flattened under snow.

A few dwellings among the rocks, chimney smoke
mimicking stony roots of pine: far off, wolves, howling.
The sound is hunger, huge,
something pitiful, remote, but we know too,
without remorse, the mineral eye
caught in light from cottage windows.

At this time of year, any man living
keeps to the path, and then
only with a long blade slid down the boot, its edge
long enough, thick enough, to dig past wolf ribs
to the heart.

But each wolf is a man’s weight, heavy −
red-yellow eyes stalking famine in these mountains.
Three to find him, five to kill him, what chance
a child…

In the village, a bride, snuggled under wool and muslin,
her first night married: her husband −
a farmer, a little slow
but in these hills a catch − shifts his weight foot to foot,
stares at the floor.

He sees her spread of mane, her large black eyes, and wonders
what to do, what to do, then says, I need to pee
and steps towards the door.

No, here, she says, looking to the corner pot, but he
too shy this first night
steps out into the dark.

For seven days they search, her father, her brothers,
in the hills, through scabby pines, in claptrap barns
but nothing, no-one, nowhere.

She set aside her wedding dress, and the months passed;
in time, she wed again −
not to one who wanders out in wolf country, but true
to ready wool, black eyes and the mane:
in the cold room, from the corner pot
the pong of steamy leek.

                                    *

… Their daughter herded, leapt crags,
knew the song the blade makes on oil stone.
Prettier than most, no scars, her Grandmother’s precious-precious,
she knew the way
to hers and back, an arrow’s flight,
a cloth-yard of arrow, a distance of wool and muslin
her Mother let her fly.

And she, twelve, thirteen perhaps −
who could know, here beyond Christian registers,
her boyish body a thinning membrane of first blood,
a shift of swelling hips and breasts
fearless through that landscape.

Her Mother let her fly…

My lovely, the boy from the village
came to set your Grandma’s hearth this morning, but says she’s poorly.

Take these oatcakes and nettle wine, and keep her company.
The wind out’s hard; take your shawl, the red one I mended.
Remember your knife.


Her Grandmother’s hut, squat squalid above a byre
she kept for milking-goats, swayed in the north wind,
the ladder to it creaking in the north wind,
the creaking she took as north wind,
not climbing:
whoever heard of a wolf
climbing ladders, slimy goat guts still stuck in his teeth?

But then, who knows what wolves know
in their long language, ridge to long ridge
their howling connects, above the desolate huts?

The Grandmother heard the latch −

Precious-precious, is that you?

… then dark against the doorframe
she knew the shape, heavy as a man stood black against the light,
and the last thing
she saw, her own scrawny belly
hanging from the wolf’s mouth, her last scream
gone crunch,
a popping hearth coal reflected in her eyes.

                                    *

The girl took the path
across the high ridge, the path she knew
wolves took, but this time of year,
the rocks shot through with alpines, with sedum
yellow as a wolf’s eye, with dainty reds
stretching towards the weak light,
she plucked them for a poesy, set brightly
about the cakes and wine gourd.

Her Grandmother’s favourites: pretty alpines, cakes
and nettle wine… her Grandmother, whose teeth
and scalp (too tough to chew) were in a stew
Wolf stirred −

this standing-up, sitting-down
Wolf, this Wolf who whistled by the fire,
who knew as well as you,
or me, that Grandma’s precious-precious
must be young, plump, and worth a try, away
from north winds blowing through the byre.

He stretched back on the bed, picked his lice,
and waited.

The path she took, by chance or cunning, brought her
from the south, downwind.
She came to the byre, and saw a piece of milking-goat,
another, and another, the north wind creaking
through stale straw, the ladder and the hut.

She turned, looking to the wood of scabby pine
dusted red-yellow, and breathed
once, and once again, and steadied on the ladder.

She touched the latch; it gave.
Dark inside, the fire gone down,
She stepped into the room…

Prcis prscis com to ths bd
ey hv to shw yu smthng prcis

She stepped a step.

Prcis prscis tk offyr clths
cm

In that new dark, dropping her shawl, her red shawl
mended by her Mother, her shift
and stockings, her clogs kicked off
by the dead fire, she reached deep into the basket
of pretty flowers − bright alpines red and yellow −
and climbed into the bed.


Across her belly, his bristle of rough coat
shivered… the cold eye, the twitching ear
and nostril:

I knwo you.

The scent of stew
still faint in the room, on his breath, she said, And I know you.

Wolf looked down: under wool and muslin,
she took in her hand Wolf-cock, Wolf-balls, and said,
Long enough, thick enough,
larger than a lamb’s head, these are for you, and raised
the dripping dough to let him see, and pulling the knife
still further, filleted the howl
hissing for air in Wolf’s throat.

She stood by the bed, blood
smeared across her legs and belly, her face.

In the cold room, above the bed, damp
fogged the dark.

She walked to the hearth, and made a fire.



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