The Journeyman’s Tale
For this
ye knowen also wel as I,
Whoso shal
telle a tale after a man,
He moot
reherce as ny as evere he can
Everich a
word, if it be in his charge
Al specke
he never so rudeliche or large
Or ellis
he moot telle his tale untrewe,
Or feyne
thynge, or fynde wordes newe.
−
Chaucer, Canterbury Tales
“The General Prologue”, ll. 732-738
Part the First, in which Our
Hero renews an Acquaintance, observes
a Mechanical Device, and
considers the Consequences of Pride
I was in Florida with Earl
Who showed up one day from back home
Lookin for a job
We was drivin along in my old Pontiac
When out of the blue he says to me
Did you shag my wife too
So first I thought whaddayameantoo
Then told him yeah, but only
Because she asked
He seemed okay with that, and we stopped
And had a beer and talked about the new Clapton
We both liked a lot
Earl always said he would die
Gettin smashed by a Diamond Rio cement mixer
It’s a funny thing
But we saw one down in West Palm
Or maybe Boca, and I mean man they are huge
I mean the guy drivin
Looked like a fuckin ant
Anyways
Earl and me was workin on the new condos
And this little fucker drivin the Rio comes
up to the foreman
Says he’d only do this and that and nothin else
Or his union’d have ever’body out
Just for askin
About half hour later we was on a break
Lookin over the top storey balcony, when we see
A girl on a bench in some bushes
Goin down on this driver
And we holler scab scab
and the girl looked straight up
Eighteen fuckin storeys
Put her hands together over her head and did this
Rocky thing
Big champ and all
Great, but the guy was not
fuckin amused
About three some guy said to us
You guys on strike and we said what the fuck, he said
Nah the painters are out because of the electricians
Because of the Diamond Rio guy
So we walked over to the beach
And this truck fuckin monster machine
Zillion tons of cement not rollin
round
Was on its side sunk in the sand
It was like a fuckin whale
and ever’body runnin
Sayin what the fuck what the fuck and this driver
Who was about five foot nothin
Cry cry cry cry cry
I never saw Earl again after that
That was in ’73
I woulda stayed on, but the foreman’s stepson
Needed work, so they fucked me off
I’ve had worse jobs
Part the Second, in which Our Hero practices the Art of Courtship,
and receives a Communication
of Hazards to the Travelling Public
I was seein this big redhead called Noreen
I had a little
place off Ocean Park
And she rented
rooms upstairs
She had a big
ass and huge tits, man
Nothin like
those skinnyass girls in the magazines
She could wear
the hell out of a dress but looked
Totally odd in jeans
Go fuckin figure
The first time she come down, I said
D’ya want a
drink
And she said
sure okay, and we had a beer
Then I go over
where she was sittin, reach round
And untie the
bow holdin up her top
And out come
these huge milkin tits
Well let me say
I was on those fuckers like yesterday
And she just
laughed a little and sipped her beer
And that was kinda
our first date
The next time
she come down, a couple of nights later
She said how
come you don’t take me out dancin
Or somewhere,
and I just fuckin laughed
And said have
you seen your tits
Then kept her
ass-up till breakfast
This ain’t nothin to do with Noreen
Or her beautiful
tits or her awesome red bush
It all just come
to mind
While I was
thinkin about Henry, my pal from school
I had this phone
call from home, and my Ma says
In the middle of
talkin about absolutely fuckin nothin
Did you hear
Henry got killed
I thought I ain’t heard her right, but then I did
Anyways, the
thing is he was with his girl friend
They was drivin
through Georgia
Right on the
Interstate, and this truck
Drives right up
the back of him blowin his horn
And Henry pulls
over and this guy pulls over
Then Henry says
to this girl I’m talkin to this guy
So off he goes,
and the girl’s tunin music on the FM
And then looks
up, and here’s Henry, walkin back
With the most amazed look on his face
Only he’s soaked
in blood
Right down to
the belt, and then she sees a big grin
Carved right across his throat, I mean he’s gone to have a word
And this cunt’s
only gone and cut him ear to ear
The guy in the truck takes off down the road
And Henry is
absolutely fuckin dead
So now the state cops are after this knife guy
And the knife
guy’s old man hears it on the radio
And the
description of the guy and the truck
Because it’s his fuckin truck
So he takes a
big ass iron bar and drags the sonfabitch
Outside the
house
And proceeds to
beat the livin shit out of him
Then he calls
the cops, and so the cops
Are draggin this cunt away, and the old man yells after him
I told you never
touch my fuckin truck
I’m hangin up
the phone and Noreen comes in
Who’s Henry she
says, and out nowhere I hear myself say
This dead guy I
know
Part the Third, wherein a Confrontation is avoided,
and Our Hero learns of a Commercial Opportunity
Pat and Jonno
picked me up as usual that mornin
Drivin along
havin a few drinks
On the way to
the job
This place Bobby
sent us was way the fuck out in the sticks
But it was a
good day and we only had a few walls
To paint before
the floor guys came out, so we thought
We’d make it
last long enough and maybe
Hit the bars in
West Palm on the way back
We drive away from the coast
And nothin but a
roadhouse and a few palms
But we stopped
in this roadhouse for a beer
And some cunt
next to Pat fuckin spits on the floor
So Pat starts up
and we drag him out because
This cunt’s one
big fucker
A while later we finally see this place
Some guy from
Miami decides to buy up all this land
Smack in the
middle of nowhere
And gets Bobby
to give him a price for fixin it up
But we ain’t seen
nothin but cattle sheds
Fifty years old,
but Bobby had us on
Top wage so what
the fuck
A while later and some old fart wanders over
And says to me
and Jonno, I guess you fellers
From Orlando, so
we say nah West Palm
And he says that
figures
Well Jonno looks
at me and I look at him
And who knows
where the hell Pat got to
But this guy
says to us yeah they don’t want no companies
Orlando way to
have a sniff just yet, and we think
What the fuck
Well this guy has got us real inter’sted
And knows it, so
we say
We ain’t scabbin
no union job and he says nah
It’s fuckin
Mickey Mouse, dumb ass
Turns out this Miami guy gets the low down
Disney wants to
put a place in the ass end of Florida
So he buys up
land from any fool rancher
For fuckin zero, paints a few cow sheds
For
improvements, and gets a zillion bucks
From Uncle Walt
for cowshit and sand
On the way back we’re tellin Pat
And he says (get
this) he says yeah
That Minnie has
beautiful fuckin eyes
Part the Fourth, wherein Heavenly Music is heard, and
a Wise Woman reveals the Resting Place1 of Heroes
I moved out back
of Peggy’s to get away from Noreen
Peggy’s place
was one of these old barns
Built about 1900
When all the
assholes come down from up East
And the place I
had was the summer house
It was real
comfy
I didn’t have no
work a few months after the Arabs
Put the kibosh
on the oil, so I did a few jobs for Peggy
To help out for
rent
Peggy must have
been over eighty
And had two
little poms
And both those
little bastards were blind, but still followed
Her ever’where,
and her talkin to em all the time
About fuck knows
what
Used to do the
clubs in Palm Beach
Then come back
over here with Hoagy Carmichael
And a few of the
boys to play some jazz and drink gin
My Ma used to
like Hoagy, but I never heard
Much of his
stuff
I sure liked
Peggy though
She was from
Tennessee, and when she found out
Where I was from
we got on real good
She had a bed
upstairs that never looked much
It had a rope
slung mattress, fuckin bed
Must have been
out of the Ark, only she sees me
Lookin it over
and says, Andrew Jackson slept in that bed
No fuckin way I
said
Yep, she says,
big as life and ugly with it
She says it come
down to her through her great granny
And was worth a
little somethin
And gives me
this wink
So I says d’ya
think great granny would mind me
Havin a sit down
And Peggy says
nah go on
The mattress was horsehair and lumpy as hell
And had this
totally fucked smell comin off it
But I never
mentioned nothin
Because you
could tell it was a big thing with her
I met Peggy’s
daughter once, thirty five, not bad lookin
But she gives me
this who the fuck are you look
So I never said
much to her
You could tell
she was just itchin to get her hands
On Peggy’s place
That old house cost nothin to run
And was worth a
mil, even back then
I reckon she
thought I was makin up to Peggy
For a piece of the action
After
I left West Palm for a union gang up north
But
then nothin
I reckon she just fuckin died
And honest to God, to this day
I’m
real careful like, layin on Ol’ Hickory’s bed
__________________________________________
1In her upstairs room, the old bed
under-slung
to take the horsehair mattress:
that bed, she said, I brought from Tennessee
nineteen twenty-six.
My wedding dress
was Mother’s, my
married life contented.
I still miss my
family.
Ragged
flowers decorate the quilt…
her
great grandma, not twenty, masked
a
bored look, sewing: Jackson, longcoat and collar star,
his
horse pulled lame, at the porch asked
for
water, old wounds troubling, sword hilt
bright
from duty in the Blackhawk War.
We
sat playing cards, the night hot,
on
the table a jug of margarita… Jackson was
mean
what with the talk
about his wife: he killed a man
in eighteen-six,
Dickinson
his name was, a lawyer
and a crack shot −
but rushed his luck,
missed, Jackson so thin…
The General rode on,
up country a pace,
to a cabin near Red
River. A Negro
brought milk, then saw
the blood that filled his shoe.
Dickinson had winged
him sure, a rib shot, low.
His friends help him
down, his face
was
stone, Dickinson dead and never knew.
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