Friday, 30 September 2016

Relic Environments Trilogy: Book III, Part 2.i

from Book III, Part 2, Animus


I. Tales of Wood and Iron

i. The Three Feathers

Night and day, for all God’s children, the same star
dawn to dreaming, a little breath between
light’s constancy
and the cold dark.

In those times, the king our father,
old and weak, set a task
deciding the kingdom − a textile woven of time itself
to be found and returned to this throne.

…Dumbkin
my brothers’ name for me − Dumbkin.

And they, older, quick as their hawks, their friends
with kingdoms of their own, who could blame them, blame anyone
for thinking the crown least fit
for the slow boy
hanging back.

But our father, long a leveller, took us to the balcony, saying,
Here, in the sustenance of your becoming,
to this end these feathers fly,
and one by one three feathers
went, and my brothers too,
quick as their hawks, followed east and west,
but the last feather
sank slowly to wild thorn just beyond the castle walls.

My brothers laughing, Such a journey, Dumbkin.

I climbed down the prickly crag
and found the feather fallen by a trapdoor in the rock, a door
bound with nettle string.

Opening it, I jumped down into the dark,
landing clump in heavy dust, and then
could see the other door, set deeper in the rock, and to my
KNOCK KNOCK KNOCK a lady-voice −

‘Who calls on Prune-Feet
Fetching Time
Who stirs the syrup − no meat
Too green, no red heart so sublime
Keeps us from our visitor’

With a touch the door drew back, and there a toad,
a pond slime bag of warts
big as grain sacks stuffed for winter, asked
my business, and hearing this, she sent
a clutch of hoppers, little croakers with mushy heaves
pushing a box into the light,
and opening it she sang,

‘Who calls on Prune-Feet
Fetching Time
This thready thread, this weave complete
I give you for the asking, sublime
Past mortal skills’

I looked, to see a carpet no human ever saw
and thanked the lady-green
and took it, climbing as I’d come.

The others meanwhile, travelling not a mile
in their directions, found wenches at their work, demanding
the poor girls’ coarse cloth skirts as trade
to leave them be,
my brothers never thinking who could know
a weft of time from ravelling jute.

Except the king
who ruled, For this design and its return, against
these roughs of hemp-weave, it’s fair the youngest shall inherit.


My brothers spewed, they retched,
they clapped their heads until the bones shot blood.
They wailed, Not Dumbkin, no, not this dolt
who picks his nose for snacks, Dumbkin Dumbkin no.

And the king our father thought,
and thought, and knew his first-born twins
but hoped for better, saying, A new trial then,
this for a ring rounded with eternity
and this trial is the last.

                                    *

The feathers flew, one east, one west,
my brothers too, and I, and mine, again a little way
to prise the door into the rock, and knock.

‘Who calls on Prune-Feet
Fetching Time
A rounding sun and moon, a fit so neat
And pattern so sublime
It sets along a path of gold’

And brought a ring so perfect the air around it shown.

And my brothers, loafing where their feathers fell,
each took a wheel rim from a cart, old iron hoops
they beat to clanking bangles
large as leg-iron stays
only a dumbkin might think
true to trial…

The king compared, and said, The boy’s is best
and no mistake, here it ends, it’s his
this kingdom, each has had his chance and choice.

My brothers spat, they shat and shied,
their hair they jerked in bloody clumps, No
not Dumbkin, this shit streak with a warty nose
not him not him.

The king our father, taking three feathers,
shouted, This I proclaim, and I swear now the last
I’ll live to see – a woman
of such beauty the world itself must stop
and turn again in wonder – who brings her here, inherits.

East, west, again the door, and through.

‘Who calls on Prune-Feet
Fetching Time
To fashion what never was, beat
Toady froth into sublime
And subtle form, human, and for you’

And hoppers came, her little ones, and brought a root
scooped clean and cinched to six sleek mice,
and then I saw a little toad climb in,
and instantly
instead of root and mice six horses stood,
and coach, and within the coach
a lady looking back at me
and of such beauty the world turned back.

I kissed her mouth, and lady-green’s, and thanked her
one last time.

                                    *

My brothers stood before the throne,
two peasant girls in tow, and said, Dumbkin’s gone,
he’ll not return, what woman
would settle for runty eyes and breath like yellow runs −
choose one of us, when you’re dead we’ll share alike,
these girls are plain, but game − for us they’ll do.

Before the king our father answered
the coach appeared, and with it
the world turning back, a thready thread,
a rounding sun and moon
and me, Dumbkin.
My brothers leapt through old iron hoops
and disappeared, the peasant girls screamed and ran, the king
my father standing, said, An end, and now,
these trials too hard that take my sons
and tell heavily against my own weak will.

…Dumbkin
my brothers’ name for me, Dumbkin.

I who rule, and know time’s weave,
and the way of climbing down, and back,
as night and day, for all God’s children, the same star
dawn to dreaming, a little breath between
light’s constancy
and the cold dark.





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